Platinum Helm Seat

Platinum Helm Seat

Van Morrison - China Precision Fasteners - Construction Fabrication

Early life and musical roots: 194 564 George Ivan (Van) Morrison was born on August 31, 1945, in Bloomfield, Belfast, Northern Ireland, the only child of George Morrison, a shipyard worker and Violet Stitt Morrison, singer and tap dancer in her youth. Van Morrison's family roots from the Ulster Scots descent population that settled in Belfast. From 1950-1956, Morrison, who was known as "Van" During this time, visited Elmgrove Primary School. Morrison's father was what was currently one of the largest collections of record in Ulster (acquired during his stay in Detroit, Michigan the early 1950s), and young Morrison grew up listening to artists such as Jelly Roll Morton, Ray Charles, Lead Belly and Solomon Burke, one of which later Morrison said: "If it were not for people like Ray and Solomon, I would not be where I am today. These guys were the inspiration that got me. If it were not for this type of music, I could not do what I do now. "His father's record collection exposed him to various music genres like the blues of Muddy Waters, the gospel of Mahalia Jackson, the jazz of Charlie Parker, the folk music of Woody Guthrie and country music of Hank Williams and Jimmie Rodgers, while the first record ever purchased by blues musicians Sonny Terry. When Lonnie Donegan, a hit with "Rock Iceland Line" was written by Huddie Ledbetter (Lead Belly), he felt familiar with Morrison and can connect with skiffle music To hear how it for eleven Lead Belly before. Morrison's father bought him his first guitar when he was, and he learned to play rudimentary chords from the song book, The Carter Family Style, edited by Alan Lomax. A year later, when he was twelve years old, was Morrison's first band, a skiffle group "The Sputnik", named after the recently launched Soviet satellite Sputnik 1 In 1958, the band played in some of the local cinemas, and Morrison took the lead and takes most of the vocals and arrangement. Other short-lived groups followed fourteen years, he founded Midnight Special, a further amended skiffle band, playing in a school concert. Then, when he heard Jimmy Giuffre Saxophone on "the train and the River", he said his father to buy him a saxophone, and took lessons in tenor saxophone and music reading. Does the saxophone Morrison moved with various local bands, including one called Deanie Sands and the spears with which he played guitar and sang together. Later, the four most important musicians of the spears, with the addition of Wesley Black on keyboards, was known as the Monarchs. Morrison attended Orangefield High School, so leave that in July 1960 without a degree. As a member of a workers' community, was assumed that he received a regular job full-time employment, so that after several short apprenticeship positions, he settled into a job later as a window cleaner mentioned in his songs, "Cleaning Windows" and "Saint Dominic's Preview." However, he had to develop his musical interests an early age and played with the Monarchs in part-time. Young Morrison also played with the Harry Mack Showband, the Great Eight, with his older workplace friend, Geordie Sproule whom he later identified as one of his biggest influences. At 17, he toured Europe for the first time with the Monarchs, now called themselves the International Monarchs. The Irish Show Band with Morrison plays saxophone, guitar and harp, in addition to back-up duty on bass and drums, toured steamy clubs and U.S. military bases in Scotland, England, and Germany, often playing five sets a night. While in Germany the band recorded a single, "Boozoo Hully Gully" / "Twingy Baby," among called "Georgie and the monarch. This was Morrison's first recording, in November 1963 with Ariola Studios in Cologne, with Morrison on saxophone, it made the lower reaches the German charts. After his return to Belfast in November 1963, the group dissolved, then connected with Morrison Geordie Sproule again and played with him in Manhattan Showband along with guitarist Herbie Armstrong. If Armstrong was nominated for playing Brian Rossi and the Golden Eagles, Morrison went along and was hired as a blues singer. Them: 196 466 Main articles: Theme (band) The roots of them, the band that first broke Morrison on the international scene came in April 1964 in Morrison on an ad for musicians responded to a new R & B Club in the Hotel Maritim play an old dance hall frequented by sailors. The new R & B club needed a band for its debut, but had Morrison left the Golden Eagles (the group with which he had been at the time of implementation), so that it has a new band from the Gamblers, a group of East Belfast Ronnie Billings, Billy Harrison and Alan Henderson founded in 1962. Eric Wrixon, still a schoolboy, was the pianist and keyboard player. Morrison played the saxophone and harmonica and informed the vocals with Billy Harrison. They followed Eric Wrixon, the proposal for a new name, and the players changed into them, taken their names from the fifties horror movie Them!. The band strong R & B attention in the maritime services. Will be carried out without an improvised routine and ad Morrison, making his songs live, as he performed. While the band did cover it also has several early songs Morrison's, played like "Could You Would You," which he had written in Camden Town, while on tour with The Manhattan Showband. The debut of Morrison's "Gloria" was held here on the stage. Sometimes, depending on his mood, was the song to the last twenty Minutes. Morrison has stated that "they lived and died on stage at the Maritime Hotel," believe that the band failed to catch the spontaneity Records and energy of their live performances to their recordings. Dick Rowe of Decca was aware of the band performances, and she signed a standard two-year contract. published during this period They released two albums and ten singles, with two more singles after Morrison left the band. They had three chart hits, "Baby, Please Do not Go" (1964), " Here Comes the Night "(1965) and" Mystic Eyes "(1965), although the B-side of" Baby, Please Do not Go ", the garage-band classic was, "Gloria," This went on for another at a rock and Standard covered by Patti Smith, The Doors, Shadows of Knight, Jimi Hendrix. "Gloria" Morrison's Garage-rock classic was included in the Grammy Hall of Fame in 1999. As described by Paul Williams: "Van Morrison's voice, a strong beacon in the darkness, The lighthouse at the end of the world. Resulting in one of the most perfect rock anthems known to mankind. "Problems hearing this file? See media help. Based on the Success of their singles in the United States, and riding on the backs of the British Invasion, Them undertook a two-month tour of America in May and June 1966 that a three-week Date residency at the Whisky a Go Go in Los Angeles. The Doors were the opening act on last week, and Morrison's influence on the Doors vocalist Jim Morrison, John Densmore was found in his book "Riders On The Storm," Jim Morrison learned quickly from his namesake in the vicinity of the stagecraft, his apparent recklessness, his manner subdued menace, the way he beat poetry to a rock improvisation, would his habit of crouching through the bass drum in the instrumental breaks. "At the last Night, the two Morrisons and the two bands jammed together on "Gloria". Towards the end of the tour, the band members involved in a dispute with their manager, Decca Records' Phil Solomon, over the revenues paid to the band, which meant, coupled with the expiry of the visa, their work reflected the band returned from America. After two more concerts in Germany, they split. Morrison focused on writing some of the songs that would appear on Astral Weeks, while the rest of Band reformed in 1967 and moved to America. Start the solo career with Bang Records, and "Brown Eyed Girl" 1967 "Brown Eyed Girl," Morrison's classic 1967 hit single was released on the album Mind Blowin 'Your!. In 2007 it was the Grammy Hall of Fame. Listening problems, that file? See media help. Bert Berns, Them Producer and composer of their 1965 hit "Here Comes the Night", persuaded Morrison to return to New York to record solo records for his new Label, Bang. Morrison flew over and signed a contract he had not studied in full. Then, during a two-day recording session at A & R Studios from 28 March 1967, eight songs originally recorded four single rooms can be used. Instead, these songs as the album Blowin 'Your Mind has been released! without Morrison consulted. He said he learned of the release of the album when a friend mentioned to a call that he had bought only one copy of it. He said later to Donal Corvin in a 1973 interview: "I was not really happy with it. He took the bands and songs. I had a different concept of him." But from this early Sessions were "Brown Eyed Girl." Captured on 22 Day to the first song was published in 1967 this one as a mid-June and reached number ten in the U.S. charts in 1967. "Brown Eyed Girl" was Morrison's and most played song over the years has remained a classic is, forty years later in 2007 for the fourth most requested song was DJs in the U.S.. After the death of Bern in 1967, Morrison was in a contract dispute with Bern's widow include this area prevented him from performing on stage or inclusion in the New York. The song "Big Time Operator", published in 1993, is thought to traffic with the New York music business refer to this period. Then he moved to Boston, Massachusetts, and was soon confronted with personal and financial problems that he had "slipped into a malaise" and had trouble Finding concert bookings. But through the few gigs he could find, he won his professional feet and began recording Warner Bros. Records. The record company managed to buy out his contract with Bang Records. Morrison met a clause that bound him submit thirty-six original songs within a year by the inclusion of thirty-one songs in a meeting, but thought the songs Eileen Berns "music nonsense ... About ring worms" and not to use. Astral Weeks in 1968 Main article: Astral Weeks Astral Weeks is about the power of the human voice ecstatic agony, agony of ecstasy. Here is an Irish tenor reborn as a White Negro Caucasian Soul Man pleading, imploring on a bed of dreamy folk-jazz instrumentation: upright bass, drums, brushed, vibes and acoustic guitar, the odd string quartet and flute, of course. "Barney Hoskyns Mojo A mix of folk, jazz, and stream of consciousness, but ultimately in a music genre in itself, Astral Weeks (1968) is often cited as one of the best albums of all time. Astral Weeks The 1968 title song with the first lines of the album: "If I stay in the slipstream between the viaducts of your dream" dare. His voice was described as " Flint and tender, pleading and wailing. Listen to this file problems? See media help. His first album for Warner Bros. Records was Astral Weeks (he already performed in Boston in several clubs), a mystical song cycle, often as his best work to be. Morrison said: "If the Astral Weeks came out, I was literally starving." Published in 1968, the album eventually reached reviewers, but it was originally an indifferent reaction from the public. To this day it remains in an unclassifiable Music genre and has been variously described as hypnotic, meditative described, and as holding a unique musical power. It is to French Impressionism and mystical Celtic Poetry has been compared. A 2004 Rolling Stone magazine article starts with the words: "This is music of such enigmatic beauty, thirty-five years after its release, Astral Weeks still defies easy, admiring description. "Alan Light describe later how Astral Weeks" as anything he did previouslynd really had, everyone had nothing done before. Morrison sings of lost love, death and longing for childhood in the Celtic soul that has become his signature would be. "It is on many lists of best albums of all time is set. In the 1995 Mojo list of 100 best albums, it was listed as number two and number was nineteen to the Rolling Stone magazine's 500 best albums of all time in 2003. In December 2009 it was voted top Irish album of all time by a poll of leading Irish musicians conducted by Hot Press magazine. By Moon Dance to the music: 197 079 Morrison's third solo album, Moon Dance, which was published in 1970, became his first million selling album and reached number 29 of Billboard charts. The style of the Moondance was in contrast to the Astral Weeks. Whereas Astral Weeks had a sad tone and vulnerable, restored Moondance an optimistic and cheerful Message to his music. The title track, but not published in the U.S. as a single until 1977, received heavy play FM radio formats. "Into the Mystic" has also a large following over the years. The single "Come Running", which reached the American Top 40th Moondance was both well received and positively evaluated. Lester Bangs and Greil Marcus had a combined full page review in Rolling Stone, stating that Morrison now had "the striking imagination of a consciousness, the visionary in the truest The meaning of the word. "" It was the kind of band, "I dig," Morrison said of the Moondance sessions. "Two horns and a rhythm section, they are the kind of bands, I like the best. "He produced the album himself, as he knew like no one else what he felt. Moondance wanted to point sixty-five on the Rolling Stone Magazine The 500 greatest albums of all time listed. In March 2007, Moon Dance "listed as number seventy-two on the Narm Rock and Roll Hall of Fame list of the" Definitive 200th In the next few years, he published a series of albums, starting with a second in 1970. His Band and the Street Choir had a free, relaxed sound than Moon Dance, but not the perfection, have in the opinion of the critic Jon Landau, who, like "feeling a few more numbers stood at a density of 'Street Choir" this Album as perfect as anyone could have. "It contained the hit single" Domino ", which charted at number 100 on the Billboard Hot nine. In 1971 he published a Another well received album, Tupelo Honey. This album produced the hit single "Wild Night", which later was covered by John Mellencamp. The title song is particularly Country-soul feel about it and the album ended with another country tune, "Moonshine Whiskey." Morrison said he originally an all country album . Make The recordings were to live as far as possible, after rehearsing the musicians, the songs to go into the studio and take one play at a number would. His co-producer, Templeman Ted, described this process of admission as "scariest thing I've ever seen. If he did something together, he will put overdubbing to get it right away with no. "In 1972 published, Saint Dominic's Preview showed Morrison's break from the more accessible style of his last three albums and then the way of bold, adventurous and meditative aspects of Astral Weeks. The combination of two types of music showed a versatility not previously found in his earlier albums. Two songs ("Jackie Wilson Said (I'm In Heaven When You Smile) "and" Redwood Tree "), the Hot 100 singles chart reached. The song" Listen to the Lion "and" Almost Independence Day "are each over ten minutes long and employ the kind of poetic images, since Astral Weeks is one. It was his highest album chart in the United States until his Top Ten debut on the Billboard 200 in 2008. He released his next album Hard Nose the Highway get mixed in 1973, but mainly negative reviews. The album contained the popular song "Warm Love" but otherwise dismissed largely critical. Writing in a 1973 Rolling Stone, it was described: as "psychologically complex, musically and lyrically excellent little uneven." During a three-week vacation trip to Ireland in October 1973 wrote Morrison seven of the songs together his next album, Veedon Fleece. Although it attracted little initial attention, its critical stature grew markedly over the yearsith Veedon Fleece now often be one of the most impressive and poetic works of Morrison's. Writing in 2008, a Rolling Stone, writes Andy Greene, that when he released the end of 1974, "It was a collective shrug of the rock-critical introduction welcomes "and concludes:" He has released many great albums since, but he is never again the majestic heights hit by this. "" You Do not Pull No Punches, But You Do not Push the River ", one of the album Side door closers, an example of the long, hypnotic, cryptic Morrison with his articles visionary poet William Blake and the seemingly Grail-like Veedon Fleece object. Morrison would not release a follow-up album for another three years. After a decade away without time, "he said in an interview that he needed to get away completely from the music to hear and it stopped for several months. Also suffers from writer's block, for he seriously considered leaving the music business well. Speculation that a extended jam session, either under the title "Mechanical Bliss, or published in the jungle or Stiff Upper Lip Naked would come, nothing, and Morrison's next album was a transitional period in 1977, a collaboration with Dr. John, who had appeared in The Last Waltz with Morrison in 1976. The album received a mild critical reception and marked the beginning of a very fruitful time to make the song. "Wavelength" Morrison sings in falsetto, imitating the first lines and synthesizer sounds of the short-wave Radio station that he heard a boy. Listen to this file problems? See media help. Into the Music: "The album of the last four songs," Angelou, "" And healing has begun "and" It's All in the Game / You know what they are writing about "a true tour-de-force with Morrison cargo every vote Trick at his disposal from "Angelou's climax shouts the sexually charged, semi-monologue" and muttered the healing has begun, "the barely audible, that the album is the final sound. "(Scott Thomas Review ') The following year, Morrison released Wavelength, it was then the fastest selling Album of his career, and soon went gold. The title song was a modest hit peaking at number two and forty. The use of the 1970 synthesizer, he imitates the sounds of shortwave Radio station that he heard in his youth. The opener "Kingdom Hall" evokes Morrison's own childhood experience of going to church with his mother and predicted a religious Topic that would be even clearer in his next album in the music. Considered by All Music Guide as "the ultimate classic-era post-Morrison" into which Music, which was published in 1970 in the last year with the songs on this album that to what would become recurring themes: "religious salvation, Celtic myths and the redemptive power of music was playing. "" Bright Side of the Road "was a joyful, uplifting song on the soundtrack of the movie, Michael would appear. Common One to Avalon Sunset: 198 089 With his next album, the new decade, Morrison found his muse in new territory after reviews and merciless. In February 1980, Morrison and a group of musicians traveled Super Bear, a studio in the French Alps record, (on the grounds of a former abbey), which are considered the most controversial album in his discography, later, "Morrison admitted that his original concept was even more esoteric than the end product." The album, Common One consisted of, six songs, each of varying length. The longest, "Summertime in England" lasted fifteen and a half minutes and ended with the words: "You feel you know the silence? ". NME magazine Paul Du Noyer called the album" colossally smug and cosmically dull, an endless, empty and desolate selfish prick Spirituality: Into the Muzak. "Even Greil Marcus, whose previous writings had favorably inclined toward Morrison, said:" It's Van acting part of the "mystical poet "He thinks he should be." Morrison insisted that the album will never be "a commercial album." Biographer Clinton Heylin concludes: "He would not attempt anything so ambitious again. Henceforth, any radical idea would be tempered by a concept of commerciality. "Later, critics would be the Album favorable to reconsider with the success of "Summertime in England". Lester Bangs wrote in 1982, "Van made sacred music, although he thought he was, and we had [sic] rock lyrics from our critics pay too much attention to common mistakes that. "Morrison's next album, Beautiful Vision, 1982 published in, it was once again on the music of his Northern Irish roots. Well received by critics and the public, it produced a minor UK hit single, "Cleaning Windows "on which one of the first jobs after leaving Morrison's reference school. Several other songs on the album," Stairway Vanlose " "She Gives Me Religion" and the instrumental, "Scandinavia" show the existence of a new personal muse in his life: a Danish PR Agent of Morrison's spiritual interests would share and serve as a stabilizing influence on him almost everywhere in the 1980s. Scandinavian, with Morrison on the piano, was nominated in the Best Rock Instrumental Performance category for the 25th Annual Grammy. Most of the music Morrison released throughout the 1980s continue Focus on the themes of spirituality and faith. His album in 1983, inarticulate speech of the heart "a step towards creating music for meditation" with Synth, uilleann pipes and flute sounds and four of the tracks were instrumentals. The titling of the album and the presence of the instrumentals were found to be indicative of long cherished belief that Morrison's "it's not the words, but to use the force of conviction behind the words that matters." While this Time Morrison had studied Scientology and made "Special Thanks" to L. Ron Hubbard on the album's credits. A Sense of Wonder, Morrison album of 1985, drew together the spiritual Themes in his last four albums, which were in a Rolling Stone review included meaning "rebirth (Into the Music), deep contemplation and meditation, (Common One) Ecstasy and humility (Beautiful Vision), and blessed, how inarticulate lassitude Mantra (Speech of the Heart). "The single" Tore Down a la Rimbaud "was a reference Rimbaud, and a previous bout of Writer's Block, that Morrison had met in 1974. In 1985, Morrison also wrote the soundtrack for the film, lamb with Liam Neeson. Morrison's 1986 release No Guru, No Method, No Teacher, was told a "true holiness ... and musical freshness that are set in context need to understand, contain. "Critical response was positive with a call to the reviewers Sounds Album" is Most intriguingly since his Astral Weeks "involved and Morrison at his mystical, magical best. " It contains the song "In the Garden" that, after Morrison had a "definitive Meditation Procedure, a "form" of Transcendental Meditation as their base. It is not TM. He entitled the album as a refutation of the media tries to provide him in various denominations. In an interview in the Observer, he told Anthony Denselow: There were many lies put out about me and draw conclusion determines my position. I have never joined an organization to plan yet. I am not affiliated Guru subscribe at all, not every method, and for those people who do not know what a guru, I'm not a teacher not. After releasing the "No Guru" album, Morrison's music appeared less granular and more adult Contemporary with the well-received 1987 album, Poetic Champions Compose, considered one of his recordings are the highlights of the 1980s. The romantic ballad from the album "Someone Like You, "later in the soundtracks of several films, including 1995's Kiss featured French, and 2001, both Someone Like You and Bridget Jones's Diary. In 1988, he released Irish Heartbeat, a collection of traditional Irish folk songs recorded with the Irish group, The Chieftains, which reached the number 18 in the UK album charts. The title song, "Irish Heartbeat," was originally recorded on his 1983 album Heart inarticulate speech des The 1989 album "Avalon Sunset, which featured the hit duet with Cliff Richard "Whenever God Shines His earthly light" and the ballad "Have I Told You Lately" (on the " Love is transformed into the for God. "(Hinton), reached 13 in the UK album chart. Although a deeply spiritual album, it also contained" Daring Night " which "deals with full, blazing sex, whatever it's church organ and gentle lilt to propose." (Hinton) Morrison's familiar themes "God, wife, his childhood in Belfast and the enchanted moments where time stands still" were apparent in the songs. He hears you call, the change the tempo in the termination of this song, repeating the numbers "1 4". It refers to the changes in chordal music, want to hear it, (the first and the fourth chord chord in the key of the music). He often full albums in two days, often takes the first as the norm. The Best of Van Morrison Back on Top: 199 099 top were to the mid-1990s, commercially successful for Morrison, with three albums reach the top five of the UK charts, sold-out concerts and more clearly a public profile visible, but this time also marked a decline in the critical reception of his work. The decade began with the release of The Best of Van Morrison, compiled Morrison of the album itself was focused on his hit singles, and became a multi-platinum success rest a year and a half on the UK charts. Allmusic it is intended as "with Far the best-selling album of his career. "After enlightenment, which included the hit single" Real Real Gone ", another compilation, The Best of Van Morrison Volume Two was published in January 1993, followed by Too Long in Exile in June, another top five chart success. The 1994 double live album A Night in San Francisco will receive favorable Ratings and commercial success by reaching number eight on the UK charts. 1995's Days Like This had great sales though the critical reviews were not always favorable. This period also saw a number of other projects, by including live jazz performances in 1996's How long does it go already, from the same year Tell Me Something: The Songs of Mose Allison, and 2000 The Skiffle Sessions - Live In Belfast in 1998 which found all the influences Morrison tribute to his early musical. In 1997 Morrison released The Healing Game. The album received mixed reviews, with the texts describe as feeling "tired" and "boring" although critics Greil Marcus, the musical complexity of the album praised with the words: "It leads the listener in a musical home as perfect and complete it or perhaps so they have forgotten one thing. "existed in the following year he published some of his unreleased studio recordings in a two-disc set, The Philosopher's Stone. His next release, 1999's Back on Top, achieved a modest success, with his highest chart album in the U.S. In 1978, the wavelength. recorded in recent years: Since 2000, Van Morrison and more tour in the 2000s was often two or three times a week. He founded his own independent label, Exile Productions Ltd, which it to full production can maintain control of every album he records, he then delivers as a finished product, the recording label, he will, for marketing and sales. The album, Down the Road was published in May 2002, received a good critical reception and proved to be his highest chart album in the U.S. are since 1972 the Saint Dominic's Preview. It was a nostalgic tone, with its fifteen tracks, which the various musical genres that Morrison had previously coveredncluding R & B, Blues, Country and Folk, a title was a tribute to his late father George, who played a central role in writing his early care musical tastes. Morrison's next album Magic Time, release debut at No. 25 on the U.S. Billboard 200 chart at its May 2005, some forty years after Morrison first in the public eyes as the front man of them. Rolling Stone listed it as number seventeen on the Top 50 Records of 2005. Also in July 2005, Morrison by Amazon as one of their top 2005 names all-time best-selling artists and included in the Hall of Fame Amazon.com. Later in the year, Morrison also donated a previously unpublished Studio-track to a charity album Hurricane Relief: Come Together Now, the money for relief for victims, which devastated the Gulf Coast hurricanes, Katrina and Rita are raised. Morrison wrote the song "Blue and Green", with Foggy Lyttle on guitar. This song was in 2007 on the album The Best of Van Morrison and Volume 3 as a single in the UK public. Van Morrison was a headliner on the international celtic Music Festival, the Hebridean Celtic Festival in Stornoway Outer Hebrides in the summer of 2005. He released an album of country music theme, entitled Pay the Devil, on 7 March 2006 and appeared in the Ryman Auditorium, where the tickets immediately sold out after they went on sale. Pay the Devil debuted at number 26 on the Billboard 200 and reached number seven on the Top Country Albums. Amazon Best of 2006 Editor's Picks in the country, the country album recorded in December 2006 at number ten. Still promoting country album, Morrison's performance as a headliner on the first night of the Austin City Limits Music Festival on 15 September 2006 was reviewed by the magazine Rolling Stone as one of the top ten shows of the festival 2006th In November 2006, a limited edition album, Live at Austin City Limits Festival was of Exile Productions, Ltd. Later Deluxe CD / DVD release of Pay the Devil issued in the summer of 2006 contained tracks from the Ryman Performance. In October 2006, Morrison 1980 / 1974 he released his first commercial DVD, Live at Montreux Festival, with concerts taken from two separate appearances at the Montreux Jazz. A new double-CD compilation The Best of Van Morrison Volume 3 was released in June 2007, thirty-one tracks, some of which were previously unpublished. Morrison the selected tracks, ranging from the 1993 album Too Long in Exile to the song "Stranded" from the 2005 album Magic Time. On 3 September 2007, was Morrison's complete catalog of albums from 1971 to 2002 are available exclusively on the iTunes Store in Europe and Australia and in the first week of October 2007, was the albums ITunes Store available in the U.S.. Still on Top - The Greatest Hits, a thirty-seven track double CD compilation album on 22 October 2007 in the UK on the Polydor label. 29 October 2007 mapped the album at number two on the Official UK Top 75 Albumsis highest British chart. The November release in the U.S. and Canada contains 21 selected Title. The hits that were published by Morrison were remastered on albums with copyright as property and Exile Productions Ltd.1971 laterad in 2007. Keep It Simple, Morrison the 33rd Studio album of completely new material was published by Exile / Polydor Records, 17 March 2008 in the United Kingdom and released by Exile / Lost Highway Records in the U.S. and Canada on 1 April 2008. It comprised eleven original compositions added. Morrison promoted the album with a brief U.S. tour with an appearance at SXSW Music Conference, and a concert broadcast on UK BBC Radio 2 In the first week of release Keep It Simple in the Billboard 200 chart at number ten, Morrison's first Top Ten charts in the U.S. premiere celebrated. Live performances A smiling Van Morrison performing at the Marin Civic Center, 2007. 1972, after a performer for almost ten years, Morrison began experienced stage fright in the performance for the audience of thousands, hundreds as opposed to what he experienced in his early career. He was stretched on the stage and would have difficulty establishing eye contact with the audience. He once said in an interview on the stage: "I dig singing the songs, but there are Times when it's pretty painful for me out there. "After a short break from music he began to appear in the clubs, again his ability to perform live, albeit with smaller audiences. The 1974 double live album, It's Too Late To Stop Now have time on the lists of the greatest live albums ever. Biographer Johnny Rogan says that "Morrison was in the middle of what was probably his biggest stage as a performer." performances on the album were from the tapes during a three-month Tour of the USA and Europe made in 1973 with the support of the group Caledonia Soul Orchestra. Soon after the recording of the album, Morrison restructured the Caledonia Soul Orchestra in a smaller unit, the Caledonia Soul Express. Morrison leads filmed in 1976 with The Band's final concert for the last waltz. On Thanksgiving Day 1976, carried out Morrison at the farewell concert of The Band. Morrison's first live performance in a few years ago, when he skipping his appearance until the last minute, even refusing to the stage to go, when they gave his name. His manager, Harvey Goldsmith, said he literally came to him out there. "Morrison was on good terms with the band as near-neighbors in Woodstock, and they had the shared experience of stage fright. At the concert he played two songs, including "Caravan," from his 1970 album "Moon Dance. Greil Marcus wrote in the participation in the show: "Van Morrison turned the show around ... singing to the rafters and ... burning holes in the ground. It was a triumph, and when the song ended Van began his leg in the air for sheer exuberance kick and he went his way right offstage like a Rockette. The audience gave him a warm welcome and they cheered wildly when he left. "The filmed concert was the basis for Martin Scorsese's film of 1978, The Last Waltz. It was during his association with the band, that Morrison "earned the nickname:" Belfast Cowboy "and Van the Man". If Morrison duet "4% Pantomime" (which he co-wrote with Robbie Robertson sang), Richard Manuel calls him, "Oh, Belfast cowboy." It would be in The Band's album Cahoots be included. When he left the stage, after performing "Caravan" on The Last Waltz, Robertson calls out "Van the Man!" On 21 July 1990, Morrison joined many other guests for Roger Waters' massive performance of The Wall - Live in Berlin, with an estimated crowd of between three hundred thousand to half a million people and broadcast live on television. He sang "Comfortably Numb" with Roger Waters, and several members of the Band: Levon Helm, Garth Hudson and Rick Danko. At the end of the concert, and the other actor, he sang "The Tide Is Turning." Morrison performed before an estimated audience 60-80000 people when U.S. President Bill Clinton visited Belfast, Northern Ireland on 30 November 1995. His song "Days Like This had become" the official anthem for the Northern Ireland Peace Movement. Van Morrison concerts continues in the 2000s throughout the year instead of touring. Playing some of his best known songs in concert, he has to act firmly resisted the descent into nostalgia. In a 2006 interview he said Paul Sexton: I do not really tour. This is another misconception. I stopped touring in the true sense of the word in the late 1970s and early 1980s, possibly. I now do gigs. I average two gigs a week. Only in America can I do more because you can not really do have a few gigs, so I do more then 10 gigs or something. Astral Weeks Live at the Hollywood Bowl in 2008 under the title song "Astral Weeks (I think I've Transcended)" with the first lines: "If I between ventured in the slipstream of the viaducts of your dream "shows" a deep roar, louder than the blue-eyed soul voice of his youth on the softer style but not less impressive, powerful. "Problems listening to the file? See media help. On 7 and 8 November 2008, at the Hollywood Bowl in Los Angeles, California performed Morrison Astral Weeks, the entire album live for the first time the band Astral Weeks Featured guitarist Jay Berliner, published on the album, that forty years earlier, in November 1968 was played. Also featured at the piano was Roger Kellaway. A live album called Astral Weeks Live at the Hollywood Bowl resulted from these two performances. The new live album was on CD 24 February 2009, a DVD released from the performances followed. The DVD, Astral Weeks Live at the Hollywood Bowl: The Concert film has been on Amazon Exclusive 19 Published in May 2009. Morrison started a week Astral Week live concerts, interviews and TV appearances with concerts at the WaMu Theater at Madison Square Garden in New York City end February 2009 and in early March at the Beacon Theatre with a 24 minute interview with Don Imus on his Imus in the Morning Radio Show 26 February. Listen Half way between the planned Concerts at the Beacon and WaMu, he made a guest appearance on Jimmy Fallon's debut as host of the show Late Night with Jimmy Fallon on 2 March 2009 to perform "Sweet Thing "from the album Astral Weeks. Morrison also performed" Sweet Thing "and" Brown Eyed Girl, "on Live with Regis and Kelly the next morning on 3 March 2009. Morrison sat down with the Astral Weeks performances with two concerts at the Royal Albert Hall in London in April and then returned to California in May 2009 of the implementation Astral Weeks songs on the Hearst Greek Theatre in Berkeley and the Orpheum Theatre in Los Angeles, California. Morrison filmed the concerts at the Orpheum Theatre, so that they include Farrah Fawcett, could be found chained to the bed, with the cancer and therefore could not attend the concerts. On 6 Appeared in May 2009, Morrison on the Tonight Show with Jay Leno implementation of the updated version of "Slim Slow Slider (I Start Breaking Down)" from Astral Weeks Live at the Hollywood Bowl. Besides It's Too Late To Stop Now Live and Astral Weeks at the Hollywood Bowl, has Morrison released three live albums, Live at the Grand Opera House Belfast in 1984, and A Night in San Francisco in 1994, the magazine Rolling Stone felt stood as "the culmination of a career worth looking soul that Morrison's eyes were directed towards the sky and finds his feet firmly on the ground" and The Skiffle Sessions - Live in Belfast, in 1998 with Lonnie Donegan and Chris Barber and published in 2000. A documentary film released in early 2010 entitled, Born Again feature will be a year full of photos of Morrison Astral Weeks Live performances, rehearsals and interviews, starting with the Hollywood Bowl concerts in November 2008 and runs through the 2009 of live performances of the songs on the album. There will be 90-120 minutes long and will be addressed by working with filmaker Morrison Darren Doane. Morrison was planned for the Rock and Roll Hall of Fame 25th Anniversary concert on 30 Making October 2009, but canceled. In an interview on 26 October, said Morrison his host Don Imus that he planned to to play "some songs" with Eric Clapton (had called off on 22 October due to gallstone surgery), but that they do something else together with "another Stage of the game. "Collaborations developed in the 1990s, Morrison initially a close association with two vocal talents at opposite ends of their careers: Georgie Fame (With whom Morrison had already worked on occasion), lent his voice and Hammond organ skills Morrison's Band, and Brian Kennedy's vocals complement the gray Morrison's voice, both in studio and live performances. The 1990s also saw an upswing in collaboration with other artists from Morrison, continuing a trend in the new millennium. He took the Irish folk band The Chieftains on their 1995 album, The Long Black Veil. Morrison's song "Have I Told You Lately" would be a Grammy Award win for "Best Pop Collaboration with Vocals in 1996. He also produced and was on several tracks with blues legend John Lee Hooker on Hooker's item, published in 1997 Album, Do not Look Back. This album would win a Grammy Award for Best Traditional Blues Album in 1998 and the title song "Do not Look Back" a duet with Morrison and Hooker would also win a Grammy Award for "Best Pop Collaboration with Vocals" in 1998. Morrison also worked load with Tom Jones on his 1999 album new by a duet on "Sometimes We Cry," and he also sang vocals on a track entitled "The Last Laugh" on Mark Knopfler's 2000 album, Sailing to Philadelphia. In 2004, Morrison was one of the guests on Ray Charles' album, Genius Loves Company, with the two artists, Morrison's "Crazy Love". Music Vocals influencesorrison With his characteristic growl mix of folk, blues, soul, jazz, gospel, and Ulster Scots Celtic is widely by many historians as one of rock shall be of the most unusual and influential vocalists in the history of Rock and Roll. Critic Greil Marcus has so far away saying that "no white man sings like Van Morrison." As Morrison live performances of the 40-year-old album Astral Weeks began in 2008, there were comparisons with his youthful 1968.is vote early vote has been described as "flint and sweet, pleading and wailing". Forty years later, the differences were in his vocal range and power palpable, but reviewers and critics of the comments were positive: "Morrison's voice has expanded to fill his body, a deep, loud roar as the Blue-Eyed Soul voice of his youth on the softer style but no less impressive, powerful. "Morrison also] Commented changes is in his approach to singing: "The approach now from below [the diaphragm to sing, so I do not ruin my voice. I used to sing at the top of the throat, which tends to destroy the vocal folds over time. Singing from the lower abdomen allowed in my response too far. I can stand four feet from the microphone and resonantely right to be heard. "Songwriting has written hundreds of songs and lyrics Morrison during his career with a recurring theme reflects a nostalgic Longing for the carefree days of his childhood in Belfast. Some of his song titles are from famous places in his childhood as "Cyprus Avenue" (a nearby Street), "Orange Field" (the boys school he attended), "On Hyndford Street" (where he was born). Also frequently present in the best Morrison's love songs, a mixture of the sacred-profane, as in "Into the Mystic" occupied "and" So quiet here. " Beginning with his 1979 album "Into the Music and has the song "And the healing began," a frequent topic of his music and text which, based on his belief in the healing power of music with a form of mystical Christianity combined. This topic has become the dominant qualities of his work. His writings show an influence of visionary poets William Blake and WB Yeats, and others such as Samuel Taylor Coleridge and William Wordsworth. Biographer Brian Hinton believes "like any great poet Seamus Heaney from Blake to take his words back to their origins in of magic ... connect Indeed, Morrison has its earliest roots back to poetry in Homer or Old English epics such as Beowulf or the Psalms or folk song in which all words and music to form a new reality. "Another biographer John Collis believes that Morrison made repeated's style of jazz and vocal duties, contrary to his texts as Poetry viewed or asserted as Collis: "He is more of a sentence like a mantra, or burst into scat singing repeated. The words are often prosaic, and so it can hardly be poetry. "Morrison's song-writing method with the remark that" I write from a different location described. I do not even know what it is or whether there is a Name has. It only comes and I sculpt, but there are a lot of hard work to do the sculpture. "Performance Art" Van Morrison is interested, obsessed with how much musical or verbal information he can compress into a small room, and almost reversed, as far as he spread one note, word, sound or image. To capture one moment, be it a Caress or a twitch. He repeats certain phrases to extremes in that someone else would be ridiculous, because he was waiting to develop a vision for trying as unobtrusively to come together as possible ... It is the great quest, fueled by the belief that accessible through these musical and mental processes illumination. Or can at least. Seen to be "Lester Bangs critic Greil Marcus argues that works, given the truly unusual breadth and complexity of Morrison's, it is almost impossible for his work among the other voices: "Morrison is a singer, no other in the history of rock & roll, a singer who compares may be not be pinned down, rejected, or later in all expectations. "Or in the words of Jay Cocks," He extends only to themselves express yourself. Alone among major rock figuresnd even in this company, he is one of the greatestorrison is adamantly inward. And unique. Although he freely crosses musical Limits. and B, Celtic melodies, jazz, rock rave-up, hymns, down-and-dirty blues can be found without fail in the same strange place: on his own wavelength. "His transcendental manuscript came into full expression to his 1968 classic, Astral Weeks. This musical art form was at the stream of consciousness songwriting and emotional vocalizing of texts, no basis in the normal structure or symmetry is based. His live performances are dependent, with spontaniety dynamics between him and his band, which he controls with hand gestures throughout, sometimes improvised solos signaling of a selected member. The music and singing to build towards a more hypnotic and trance-like state, based on in-the-moment Creativity depends. He said he believes in the jazz improvisation technique of execution never a song twice the same way and with the exception of the unique renditions the Astral Weeks live songs, not a concert from a preconceived set list. Morrison said he would rather perform in smaller venues known for their good or symphony halls Acoustics. His ban achoholic drinks, the entertainment news in 2008 was made an attempt to move the disturbing and distracting the audience left their seats during to prevent the performances. indicated in a 2009 interview with Morrison: "I do not consciously aim to bring the listener anywhere. If anything, I want me there in my music. If the audience catches the wave, what I say or sing, or whatever gets what point line means for them, then I think working as a writer may days I have done. "Genre of the music of Van Morrison has encompassed many genres since his early days as a blues and R & B singer in Belfast. Over the years he has recorded songs drawn from a list of different genres from many influences and interests. In addition to blues and R & B, his compositions and covers the spoken between pop, jazz, rock, folk, country, gospel, Irish folk and traditional big band, skiffle, rock and roll, new age, classical, and sometimes moved Word ("Coney Iceland") and instrumentals. Morrison defines himself as a soul singer. Some of Morrison's music has been classified in their own a genre, and described as "Celtic Soul". Or what biographer Brian Hinton called Alchemy, a new called "Caledonian Soul" Another biographer, quoted Ritchie Yorke Morrison believe that he is "the Spirit of Caledonia in his soul and his music reflects it." According to Yorke, Morrison claimed to have discovered "a certain quality of mind "when he first visited Scotland (his ancestors were of Ulster Scots descent Belfast) and Morrison said he believes that there is a connection between music and soul Caledonia. Yorke said that Morrison discovered "when he first began composing music for several years that some of his songs lent themselves a unique large modal scale (no seventh) which of course the same scale as the use of bagpipe players and old Irish and Scottish folk music. "Caledonia The name "Caledonia" is a prominent role in Morrison's life and career won. Biographer Ritchie Yorke had already in 1975 pointed out that Morrison Caledonia called so many times in his career that he seems to be obsessed with the word. " In his biography in 2009, found Erik Hage, that "Morrison deeply into his father's Scottish roots during his early career seemed interested and later in the ancient landscape of England, so that its repeated use of the term "Caledonia (An ancient Roman name for Scotland / Northern England). "Besides the fact that his daughter's middle name, it is the name of his first production company, his Studio, its publisher, two of his backing group, and he also recorded a cover version of "Caldonia" (spelled with the name "Caledonia") in 1974. Morrison used "Caledonia" in what has been called a quintessential Van Morrison moment in the song "the lion" hearing With the text: "And we are driving and we sail, to Caledonia." Even in 2008, Morrison used "Caledonia" as a mantra in the live performance the song "Astral Weeks" concerts recorded at the two Hollywood Bowl. Morrison's influence can easily influence in the music from a variety of important artists and listen to the Rolling Stone's Encyclopedia of Rock and Roll (Simon & Shuster, 2001), "his influence among rock singer / songwriter is unrivaled by any living artist outside the other prickly legend Bob Dylan. Echoes of robust literateness Morrison and his gruff, feverish emotional singing can in the Latter-day icons of Bruce Springsteen, Elvis Costello are heard. "His influence includes U2 (much of The Unforgettable Fire), Bono (" I am in awe of a musician like Van Morrison. I had to stop listening to Van Morrison records of six months before we made The Unforgettable Fire, because I do not wanted his soul very original, to overcome my own voice. "); John Mellencamp (" Wild Night "), Jim Morrison, Joan Armatrading (the only musical influence will recognize it), Rod Stewart, Tom Petty, Rickie Lee Jones (recognizes both Laura Nyro and Van Morrison as the main influences on her career); Elton John, Graham Parker, Sinad O'Connor, Phil Lynott of Thin Lizzy, Bob Seger ("I know that Bruce Springsteen was very affected by Van Morrison, and so I was From Creem Interview) ("I've worked"); Dexy's Midnight Runners ("Jackie Wilson Said"), Jimi Hendrix ("Gloria "); Jeff Buckley (" The Way Young Lovers Do, "" Sweet Thing "), Nick Drake, and many others, including the Counting Crows (their" Sha-la-la "sequence in Mr Jones, is a tribute to Morrison). Morrison influence reaches into the Country Music Hal Ketchum with recognition:" He (Van Morrison) was an important Influence on my life. "Morrison's influence on the younger generation of singer-songwriter is everywhere: including the Irish singer Damien Rice, which has been described as being on his way to the "natural heir to Van Morrison, Ray Lamontagne, James Morrison, Paolo Nutini, Eric Lindell and David Gray are also some of the younger artists influenced by Morrison. Glen Hansard of the Irish rock band The Frames (Van Morrison with the lists of his holy trinity with Bob part Dylan and Leonard Cohen), which typically covers of his songs in concert. U.S. rock band have covered The Wall Flowers "Into the Mystic". Canadian blues-rock Singer Colin James also covers the song often at his concerts. Actor and musician Robert Pattinson has said that Van Morrison to make his "Influence of Music first line was ". Morrison has the stage with Northern Irish singer-songwriter Duke Special released, Morrison acknowledges the influence of a great. Overall, Morrison has been generally been supportive of other artists who shared the stage often ready with them during his concerts. On the live album, A Night in San Francisco He had as his special guests, including his childhood idols: Jimmy Witherspoon, John Lee Hooker and Junior Wells. Although he often expresses his displeasure (in interviews and songs) with the music industry and the media in general, he has much to promote the careers of many other musicians and singers such as James Hunter instrumental, ladies and Belfast-born brothers, Brian and Bap Kennedy. Personal life Morrison lives in Belfast, from birth until 1967, when he moved to New York after signing with Bang Records. Before of deportation because of visa problems, he managed to stay in the U.S., as his American girlfriend Janet (Planet) Rigsbee agreed to marry him. Once married, moved Morrison and his wife in Cambridge, Massachusetts, where he found work in the implementation of the local clubs. The couple had one daughter, Shana Morrison, who is a singer-songwriter has. Morrison and his family moved to America, lives in Boston, Woodstock, New York, and a hilltop home in Fairfax, California. His wife appeared on the cover of the album Tupelo Honey. They separated 1973rd Morrison moved back to Europe in the late 70s, settling first in London's Notting Hill Gate area. He later moved to Bath, where he bought wool Hall Studios. He also has a house in the Irish coastal town of Dalkey near Dublin. Morrison met Irish socialite Michelle Rocca in the summer of 1992, and they often featured in the Dublin Gossip columns, an extraordinary event for the reclusive Morrison. Rocca also appeared on one of his covers album, Days Like This. The couple is married and have two children, a daughter was born in January 2006, a son was born in September 2007. Discography Main article: Van Morrison discography Blowin 'Your Mind! (1967) Astral Weeks (1968) Moon Dance (1970), his band and the Street Choir (1970) Tupelo Honey (1971) Saint Dominic's Preview (1972) Hard Nose the Highway (1973) It's Too Late To Stop Now (Live) (1974) Veedon Fleece (1974), a transitional period (1977) Wavelength (1978) Into the Music (1979) Common One (1980) Beautiful Vision (1982 unarticulated) Speech of the Heart (1983) Live at the Grand Opera House Belfast (1984) A Sense of Wonder (1984) No Guru, No Method, No Teacher (1986 Poetic) Champions Compose (1987) Irish Heartbeat (1988) Avalon Sunset (1989) Education (1990) Hymns to the Silence (1991) Too Long in Exile (1993) A Night in San Francisco (Live) (1994), Days Like This (1995) How long it goes on top Been Going On (1996) Tell Me Something: The Songs of Mose Allison (1996) The Healing Game (1997), Back (1999) The Skiffle Sessions - Live in Belfast 1998 (2000) You Win Again (2000) Down the Road (2002) What is wrong with this picture? (2003) Magic Time (2005) Pay the Devil (2006) Live at Austin City Limits Festival (Limited Edition) (2006) Keep It Simple (2008) Astral Weeks Live at the Hollywood Bowl (2009) Awards and recognition Morrison several major music awards received in his career, including six Grammy Awards (19962007), inductions into the Rock and Roll Hall of Fame (January 1993), the Songwriters Hall of Fame (June 2003), and the Irish Music Hall of Fame (September 1999) and a Brit Award (February 1994). He also has a civilian award, OBE (June 1996) and an Officier des Arts et de lrdre get des Lettres (1996), and he has an honorary doctorate the University of Ulster (1992) and Queen's University Belfast (July 2001). The Grammy Awards were: Best Pop Collaboration with Vocals, 1996, "Have I Told You In the last Time "(with The Chieftains) Best Pop Collaboration with Vocals, 1998," Do not Look Back "(with John Lee Hooker) Hall of Fame, 1999, Astral Weeks Hall of Fame, 1999, Moon Dance Hall of Fame, 1999, "Gloria" Hall of Fame, 2007, "Brown Eyed Girl" The Hall of Fame inductions began in 1993 with the Rock and Roll Hall of Fame, Morrison remarkable because not attend the first inductee to its own ceremony, so that Robbie Robertson of The Band, took the award in his name. If Morrison the first musician inducted into the Irish Music Hall of Fame was Bob Geldof presented Morrison with the award. Morrison was third induction into the Songwriters Hall of Fame for the "recognition of his unique position as one of the major songwriters of the century." Ray Charles presented the award following a Performance in which the pair Morrison's "Crazy Love" performed from the album, Moon Dance. Morrison's BRIT Award for his outstanding contribution to British Music. He was presented with the award by former Beirut hostage, John McCarthy, who testify during the meaning of Morrison's song "Wonderful Remark called "it" is a song ... which was very important. "Morrison received two awards in civil-1996, the first of the Order of the British Empire for his services was about music, the second was an award from the French government when he made an Officier de lrdre of Arts and Letters. In addition to these national awards, he has two honorary doctorates in music, an honorary doctorate in literature from the University of Ulster and an honorary doctorate in music from Queen's University in his hometown of Belfast. Among other awards are the BMI Icon Award in October 2004 for Morrison's "lasting influence on generations of music makers", the Oscar Wilde: Honouring Irish Writing in Film Award 2007 for his contribution to more than fifty films of Al Pacino, in comparison presented Morrison, Oscar Wilde, as they were both "visionaries, the boundaries "Move, and the Best International Male Singer at the 2007 International Awards in inaugral Ronnie Scott's Jazz Club, London. Morrison has in a number of Greatest Lists, including the Time Magazine list of All-Time 100 albums Astral Weeks and Moondance appeared contained, and he appeared on the list of the number thirteen WXPN's 885 All Time Greatest Artists. In 2000, Morrison ranked twenty-fifth cable music channel VH1 on American's list of "100 Greatest Artists of Rock and Roll". In 2004, Rolling Stone Magazine ranked Van Morrison forty-second on its list of "Greatest Artists of All Time". Add ranked him twentieth in their list of "100 Greatest Living Songwriters "in 2006. Q rank him twenty-second on its list of" 100 Greatest Singers in April 2007 and was voted three to twenty-fourth of the November 2008 List of Rolling Stone magazine's 100 Greatest Singers of All Time. of Morrison songs were songs in the The Rock and Roll Hall of Fame 500's that Shaped Rock and Roll: "Brown Eyed Girl," "Madame George" and "Moon Dance". Morrison has announced a 2010 winner in the Hollywood listed Walk of Fame. See also list of people on stamps of Ireland Notes ^ abc Ankeny, Jason. allmusic.com, "Van Morrison biography". http://allmusic.com/cg/amg.dll?p=amg&sql=11:jifuxqygldhe ~ T1 allmusic.com. From 07/07/2008. ^ "The Immortals - The greatest artist of all time: 42) Van Morrison: Rolling Stone". Rollingstone.com. Http: / / www.rollingstone.com/news/story/5939236/the_immortals__the_greatest_artists_of_all_time_42_van_morrison. From 16/09/2009. ^ The word is often used grouchy. "BBC Music Review of Van Morrison Tupelo Honey". www.bbc.co.uk. http://www.bbc.co.uk/music/reviews/d3bd. From 04/18/2009. ^ The Great Rock Discography, page 551, MC Strong, Giunti, 1998, ISBN 8809215222 ^ "Van Morrison: No Guru, No Method, No Teacher: Music Reviews: Rolling Stone ". Rollingstone.com. Http://www.rollingstone.com/artists/vanmorrison/albums/album/124806/review/5944254/no_guru_no_method_no_teacher. From 18/04/2009. ^ Selvin, Joel (05/04/2009). "Van Morrison's transcendental 'Astral' in Greek." sfgate.com. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/05/03/DDU317DM77.DTL. From 05/26/2009. ^ Fricke, David (2009-02-04). "Astral Weeks Live at the Hollywood Bowl." rollingstone.com. http://www.rollingstone.com/reviews/album/25823361/review/25885646/astral_weeks_live_at_the_hollywood_bowl. From 22/11/2009. ^ Colt, Jonathan. First, the shadow in the night. books.google.com. http://books.google.com/books?id=EQR3U2pjwrQC&pg=PA105&dq=inspired+Van+Morrison&lr =. From 05/12/2009. ^ Abc "Astral Weeks: Van Morrison". acclaimedmusic.net. http://acclaimedmusic.net/Current/A121.htm. From 30/04/2008. ^ Excellent "Music - Moon Dance ". Acclaimedmusic.net. Http: / / acclaimedmusic ... About the Author

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